Tony Iommi: Hard Rock Cafe Refuses to Return Guitar as Promised
· Ultimate Classic RockTony Iommi said he wanted the Hard Rock Cafe to return a guitar he sold them, as per the deal they’d done with him, but the corporation wouldn’t do it.
The Black Sabbath icon parted with the red Gibson SG, named Monkey after a sticker attached to it, which he’d used on at least four of the band’s early albums. In a new interview with Guitar World (via Guitar.com) he said an agreement had been put in place should he ever want it back.
“The guy who used to buy memorabilia for the Hard Rock came to England and visited me,” Iommi explained. “He wanted to buy some stuff… I’d retired the Monkey SG because it was too valuable to me; I didn’t want to take it on the road and risk it getting damaged.”
READ MORE: Tony Iommi Reveals Why Black Sabbath Turned Down Power Trip Offer
He continued: “He offered to buy it and it seemed like a good idea because the guitar could be displayed for people to see and kept safe, instead of sitting in a case somewhere in my storage. But the deal was if I ever wanted it back, I could let him know and buy it back for the same price. It seemed fair enough – a good deal.
“Anyway, he passed away… We tried to get in touch with Hard Rock to get it back, and they knew nothing about the deal.”
How Tony Iommi’s Monkey Guitar Became His Main Instrument
On Iommi’s website, the red Monkey guitar is described as a 1965 model, which “became the main instrument when the bridge pickup on Tony’s white Stratocaster failed after the band recorded ‘Wicked World’ on the Black Sabbath album. … The guitar was donated by Tony to the Hard Rock Cafe organisation (as seen in their documentary Hard Rock Treasures). At the time of writing it is on display at the Times Square location in New York City.”
In the interview, Iommi said the Hard Rock Cafe did agree to lending the guitar to Gibson so that replicas could be made in 2020. “I think we did about 50 of them, and I own two of those,” he reported.
“I have to say they are exactly like the one I owned, and they are what I used in the studio. They have the same knocks and bumps as the original, plus the little monkey sticker. It’s the same guitar, basically.”
20. 'Forbidden' (1995)
The original Black Sabbath lineup’s last man standing, Tony Iommi, was clearly grasping at straws on 1995’s dismal 'Forbidden,' which yielded no songs to write home about and was inexplicably produced by Body Count guitarist Ernie C. Luckily, the long-awaited reconciliation with Ozzy Osbourne was just two years away, albeit for touring, not recording purposes ... for the moment.
19. 'Tyr' (1990)
The third Black Sabbath album fronted by the criminally undervalued Tony Martin, and second powered by the formidable rhythm section of drummer Cozy Powell and bassist Neil Murray, 1990’s 'Tyr' was expected to capitalize on the creative (if not commercial) comeback of recent years. But the songs just weren’t there and Tony Iommi’s guitar was unusually quiet in the mix, resulting in major letdown all around.
18. 'Cross Purposes' (1994)
Recorded in the wake of Black Sabbath’s second, heartbreaking falling out with singer Ronnie James Dio, 'Cross Purposes' was a patchwork of inconsistent songs and lineups, matching charter members Tony Iommi and Geezer Butler with a returning Tony Martin and former Rainbow drummer Bobby Rondinelli. The album could have been a lot worse, but that's little consolation to fans.
17. 'Seventh Star' (1986)
Black Sabbath had effectively crumbled by 1985, but Tony Iommi managed to snatch survival (if not exactly victory) from the jaws of defeat with the following year’s 'Seventh Star,' featuring erstwhile Deep Purple singer Glenn Hughes. The album’s eclectic songs proved a little too unconventional for most Sabbath fans to stomach, but, in fairness, it had originally been intended to serve as Iommi’s solo debut.
16. 'Dehumanizer' (1992)
For all the hype and understandable excitement, Black Sabbath’s second go-round with Ronnie James Dio and Vinnie Appice fell significantly short of the glorious benchmark set a decade before. Be that as it may, 1992’s 'Dehumanizer' still undertook a daring modernization of Sabbath’s sound and launched a triumphant world tour, only to be cut short by Ozzy Osbourne’s infamous “retirement” concert.
15. 'Born Again' (1983)
The musical partnership that looked so good on paper (Deep Purple legend Ian Gillan joining Sabbath? Yes!), it could only prove disappointing once the rubber hit the road, 1983’s 'Born Again' became a case study in incompatible songwriting styles producing inconsistent, but occasionally thrilling, results. Add that awful cover art and a troubled tour (complete with an oversized Stonehenge stage set) and it obviously couldn’t last.
14. '13' (2013)
Proof that miracles can really happen now and then, 2013’s '13' finally presented the longtime-coming reunion with Ozzy Osbourne reunion -- with convincingly “vintage” sound policed over by producer Rick Rubin. One slight bump: drummer Bill Ward’s last-minute exclusion from the record.
13. 'The Devil You Know' (2009)
Pretty much Black Sabbath by another name, Heaven and Hell paid due (with accumulated interest) on the 'Dehumanizer' era’s moderate disappointment on 2009’s uniformly stellar 'The Devil You Know.' For fans tired of waiting for Ozzy Osbourne to make up his mind about a Sabbath reunion, this album doubled as a proud final will and testament for Ronnie James Dio, who passed on just one year after its release.
12. 'Never Say Die!' (1978)
The final album of Sabbath’s original-lineup era wasn’t without highlights, like the energetic title cut, "Johnny Blade” and “A Hard Road.” But even these paled next to the colossal metal anthems recorded just a few years earlier … and what does that say about the abundant weak songs? Adding insult to injury, the subsequent tour found Sabbath routinely blown offstage by a hungry Van Halen, sending Ozzy Osbourne on his way.
11. 'Headless Cross' (1989)
Arguably the most underrated LP of Black Sabbath’s entire career, 'Headless Cross' arrived at the absolute nadir of the group’s career downturn in the U.S. (where it barely made it into record stores), but it stunned fans elsewhere with its consistent and memorable songs. Some fans may never accept it as a true Sabbath LP, but that’s their loss.
10. 'Technical Ecstasy' (1976)
A bold but ill-fated attempt to mature and explore novel musical directions, 'Technical Ecstasy' could have turned out like 'Sabbath Bloody Sabbath Part Two,' if not for the largely unimpressive songs to carry those innovations to fruition. As it stands, Sabbath’s seventh effort deserves a few gold stars for effort (in the face of daunting personal demons) and sporadic highlights like “Back Street Kids” and “Dirty Women.”
9. 'The Eternal Idol' (1987)
Often cited as the finest Black Sabbath album not fronted by Ozzy Osbourne or Ronnie James Dio, 'The Eternal Idol' was essentially recorded by Tony Iommi solo, with the aid of assorted studio hands, some of whom never lasted long enough to tour (or, like singer Ray Gillen, to finish the sessions -- he was replaced by Tony Martin). But this only underscores the surprisingly quality of the songs composed for the occasion, including a Sabbath hall-of-famer in “The Shining.”
8. 'Mob Rules' (1981)
Black Sabbath’s career-reviving collaboration with singer Ronnie James Dio proved it wasn't a onetime fluke with the arrival of 1981’s spectacular 'Mob Rules,' which packed such riff-mongering heavyweights as “Falling Off the Edge of the World” and “The Sign of the Southern Cross.” Shame it couldn’t last, and that Dio would soon leave to pursue a solo career, returning Sabbath to another period of uncertainty.
7. 'Sabotage' (1975)
Arguably the final concrete slab of genuine, unadulterated vintage Black Sabbath, 'Sabotage' arrived in 1975 and put off the band’s looming decline a little while longer with monumental nuggets like “Megalomania” and “Symptom of the Universe.” But there was also no ignoring the growing chinks in the band’s armor, as evidenced by deeper album cuts that lacked the power of earlier efforts.
6. 'Sabbath Bloody Sabbath' (1973)
The state-of-the-art Black Sabbath LP released during the group’s original '70s incarnation, 'Sabbath Bloody Sabbath' survived a difficult recording process -- the band couldn’t come up with a single tune for months -- to successfully upgrade its signature studio sophistication. As such, “Killing Yourself to Live," the title track and other standouts offered not only brawn, but beauty too.
5. 'Heaven and Hell' (1980)
How amazing was Black Sabbath’s first album with Ronnie James Dio? As amazing as their very best efforts with Ozzy Osbourne — that’s how amazing. 'Heaven and Hell' managed the rare feat of remaining true to the group’s fundamental metal sound while simultaneously applying a much-needed modernizing sheen to the proceedings.
4. 'Vol. 4' (1972)
A bona fide heavy metal masterpiece, featuring 10 songs that span the breadth of the original quartet’s formidable talents: 'Vol. 4'’s track listing ranges from the post-psych sprawl of “Wheels of Confusion” to the galloping immediacy of “Tomorrow’s Dream” to the piano ballad “Changes” to the acoustic “Laguna Sunrise” to doom tracks like “Snowblind,” “Supernaut” and “Under the Sun.”
3. 'Black Sabbath' (1970)
Now properly recognized as the musical watershed that it is, Black Sabbath’s eponymous debut exceeded all commercial expectations upon release, yet it merely hinted at breakthroughs still ahead. Likewise, most of its songs, beyond the title track and “N.I.B.,” were clearly formative in nature, but this has only rendered them more distinctive to some fans.
2. 'Master of Reality' (1971)
If not for the fact that it contains only six fully formed songs (plus two brief instrumentals, “Embryo” and “Orchid”), 'Master of Reality' might well be Sabbath’s finest hour. This down-tuned tour de force and influential stoner-rock boiler plate boasts the apocalyptic crawl of “Children of the Grave,” the ultimate weed anthem in “Sweet Leaf” and doom standards in “After Forever” and “Into the Void.”
1. 'Paranoid' (1970)
'Paranoid' is not only the definitive Black Sabbath album (and a U.K. chart-topper, to boot!), 'Paranoid' may be the ultimate heavy metal LP. Three of its songs -- the title track, “War Pigs” and “Iron Man” -- have become concert staples, and even secondary selections like “Fairies Wear Boots,” “Hand of Doom” and “Planet Caravan” are beyond reproach.